The Italian government is investing massively in Rome’s historic film studio. The question is whether it will pay off
arrive at Cinecittà, you pass through a gatehouse built in the rationalist style popular in Italy in the early 20th century. It seems to prepare you for a journey into the past. That is what the vast majority of visitors—around 100,000 a year—come for.
In absolute terms, Italy is poised to become the largest beneficiary of the European Union’s post-pandemic recovery fund: it is expected to receive or borrow at concessionary rates more than €200bn . Of that, €260m has been earmarked for upgrading and vastly expanding Cinecittà. “The production of films, series and documentaries is undergoing a dizzying growth,” says the culture minister, Dario Franceschini. “We must make sure we’re ready.
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